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Eva Beresin challenges the idea of the one-dimensional human being in defiance of any totality. She frequently endows her subjects with animalistic behaviors, while the numerous bona fide animals populating Beresin’s paintings exhibit human traits. There unfolds an artistic universe of sly humor and shenanigans that celebrate just clearly it has gone off the rails. Moments of nonsense coalesce in a veritable apotheosis of the marginalized. Her distortion of ordinary perspectives, true perspectival breaks, and reversals of circumstances suggest carnivalesque situations or recall escapades of mannerist exaggeration. Nothing is unworthy of being depicted. To Beresin, there are no wrong gestures, and no wrong painting. The speed of her working process along with the eloquent force of her artistic expression underline the autonomy of the painterly act.
